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An 1832 study, which included an account of the last great debates on slavery held in the Virginia legislature, argued that the institution served gloriously to lift “woman” to a new and fitting station: “We behold the marked effects of slavery on the conditions of woman—we find her at once elevated, clothed with all her charms, mingling with and directing the society to which she belongs, no longer the slave but the equal and the idol of man.” There is a more insidious element in this elevation of a new idol than can be explained by the transfer of labor from wife to slave, and it is an element that Margaret Mitchell delicately but quite certainly meant to address, or, rather, to dismiss, by her repeated epithets for the admirable slaves of Tara

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2003: SAG Awards The actor wore a Giorgio Armani dress with large keyhole cutouts to the SAG Awards in 2003

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